Saturday, January 17, 2009

The Toledo War or John Brown Abolitionist

The Toledo War: The First Michigan-Ohio Rivalry

Author: Don Faber

The Michigan-Ohio football rivalry is well known and stretches back many years. But far fewer may be aware that Michigan and Ohio were engaged in a different kind of battle more than a century earlier---one that began before Michigan became a state.

It was a fight over a narrow wedge of land called the Toledo Strip. Disagreement over ownership of the Strip dated to the early nineteenth century. The Northwest Ordinance of 1787, which created the future states of Ohio, Indiana, Illinois, Michigan and Wisconsin, described an east-west boundary line between the northern and southern states in the Northwest Territory. That line began at the southernmost tip of Lake Michigan and ran eastward to where it intersected Lake Erie, thus placing the mouth of the Maumee River in the Territory of Michigan.

But maps in those days weren't precise, and there was considerable doubt as to the exact location of Lake Michigan's southernmost point. Adding to the uncertainty was the absence of a good survey. When Ohio became a state in 1803, the importance of a harbor on Lake Erie became evident. To provide for this need, the state's constitution included a provision that claimed the mouth of the Maumee River for Ohio, disregarding the boundary line placed by the Northwest Ordinance.

Today the fight over Toledo in 1835 puts a grin on most people's faces---on Ohioans because they won, and on Michiganians because Ohio won Toledo while Michigan ended up with the Upper Peninsula. But passions about rightful ownership ran high, and it would be many years---and involve a colorful cast of characters all the way up to presidents---before the dispute was settled. The Toledo War: The FirstMichigan-Ohio Rivalry gives a well-researched and fascinating account of the famous war.

Don Faber is best known as the former editor of the Ann Arbor News. He has also served on the staff of the Michigan Constitutional Convention, won a Ford Foundation Fellowship to the Michigan State Senate, and was a speechwriter for Michigan Governor George Romney. Now retired, Faber lives in Ann Arbor with his wife, Jeannette, and indulges in his love of Michigan history.



Table of Contents:

Chapter 1 The Battle of Phillips Corners 1

Chapter 2 Roots of the Dispute I: The Northwest Ordinance 12

Chapter 3 Roots of the Dispute II: Ohio Statehood 25

Chapter 4 Prelude to War, 1815-30 29

Chapter 5 Path to Statehood 41

Chapter 6 A War of Words Opens the Curtain 53

Chapter 7 Acts of Provocation 66

Chapter 8 Events of April-June 1835 83

Chapter 9 Bloodshed in Toledo 98

Chapter 10 The Case for Ohio 106

Chapter 11 The Case for Michigan 116

Chapter 12 Governor Mason Is Fired 123

Chapter 13 Statehood in the Balance 131

Chapter 14 Bloodless Victory at Toledo: Lucas Trumps Mason 156

Chapter 15 War's End 174

Epilogue 183

Time Line for the Toledo War and Michigan Statehood 193

Notes 195

Index 211

Book review: Automated Information Retrieval or International Financial Market Investment

John Brown, Abolitionist: The Man Who Killed Slavery, Sparked the Civil War, and Seeded Civil Rights

Author: David S Reynolds

Few historical figures are as intriguing as John Brown, the controversial Abolitionist who used terrorist tactics against slavery and single-handedly changed the course of American history. This brilliant biography of Brown (1800-1859) by the prize-winning critic and cultural biographer David S. Reynolds brings to life the Puritan warrior who gripped slavery by the throat and triggered the Civil War.

When does principled resistance become anarchic brutality? How can a murderer be viewed as a heroic freedom fighter? The case of John Brown opens windows on these timely issues. Was Brown an insane criminal or a Christ-like martyr? A forerunner of Osama bin Laden or of Martin Luther King, Jr.? David Reynolds sorts through the tangled evidence and makes some surprising findings.

Reynolds demonstrates that Brown's most violent acts- his slaughter of unarmed citizens in Kansas, his liberation of slaves in Missouri, and his dramatic raid, in October 1859, on the federal arsenal at Harpers Ferry, Virginia- were inspired by the slave revolts, guerilla warfare, and revolutionary Christianity of the day. He shows us how Brown seized the nation's attention, creating sudden unity in the North, where the Transcendentalists led the way in sanctifying Brown, and infuriating the South, where proslavery fire-eaters exploited the Harpers Ferry raid to whip up a secessionist frenzy. In fascinating detail, Reynolds recounts how Brown permeated politics and popular culture during the Civil War and beyond. He reveals the true depth of Brown's achievement: not only did Brown spark the war that ended slavery, but he planted the seeds of the civil rights movement by making a pioneering demand forcomplete social and political equality for America's ethnic minorities.

A deeply researched and vividly written cultural biography- a revelation of John Brown and his meaning for America.


From the Hardcover edition.

The New York Times - Barbara Ehrenreich

How do we judge a man of such different times -- and temperament -- from our own? If the rule is that there must be some proportion between a violent act and its provocation, surely there could be no more monstrous provocation than slavery. In our own time, some may discern equivalent evils in continuing racial oppression, economic exploitation, environmental predation or widespread torture. To them, John Brown, Abolitionist, for all its wealth of detail and scrupulous attempts at balance, has a shockingly simple message: Far better to have future generations complain about your methods than condemn you for doing nothing.

The Washington Post - David W. Blight

John Brown, Abolitionist captures with arresting prose Brown's early life of poverty, his huge, tragic, rolling-stone family of 20 children with two wives, the business failures and bankruptcies in several states, the lasting influence of his staunchly Calvinist father and his genuine devotion to the human rights of African Americans. He also takes us deeper than any previous historian into Brown's exploits in the 1856-58 guerrilla war known as "Bleeding Kansas." In the murderous frontier struggle between pro-slavery and free-state advocates, Brown led a personal band of abolitionist warriors who fought pitched battles and executed some settlers. Moreover, the narratives of Brown's fascinating fund-raising tours of Eastern reform communities, the Harpers Ferry raid itself, his epic letter-writing from a jail cell while awaiting execution, and the hanging (with the whole world watching) are all beautifully executed.

Publishers Weekly

In the very first paragraphs of this biography, Bancroft Prize-winner Reynolds (Walt Whitman's America) steps back a bit from the grandiose claims of his subtitle. Nevertheless, his book as a whole paints a positive portrait of the Calvinist terrorist Brown (1800-1859)-contrary to virtually all recent scholarship (by Stephen B. Oates and Robert Boyer, among others), which tends to depict Brown as a bloodthirsty zealot and madman who briefly stepped into history but did little to influence it. Reynolds's approach harks back to the hero-worship apparent in earlier books by W.E.B. Du Bois and Brown's surviving associates. John Brown waged a campaign so bloody during the Kansas Civil War-in 1856 he chased men and elder sons from their beds in cabins along the Pottawatomie Creek, and then lopped off their heads with broadswords as sobbing wives and younger children looked on-that fellow Kansas antislavery settlers rebuked him. Even the abolitionist William Lloyd Garrison condemned Brown and his methods. After taking the federal armory and arsenal at Harpers Ferry in October 1859, Brown intended (had he not been swatted like a fly within hours) to raise and arm a large force of blacks capable of wreaking a terrible vengeance across Virginia. Yet Reynolds insists that "it is misleading to identify Brown with modern terrorists." Really? 25 b&w illus. (Apr. 21) Copyright 2005 Reed Business Information.

KLIATT

John Brown, with his bristling beard, fierce expression, and unyielding opposition to slavery, has always been the perfect icon of the nation's headlong rush into the abyss of the Civil War. After his gallant and completely foolhardy raid on the federal arsenal at Harper's Ferry, virtually every person in the US lined up solidly on one side or another of the Great Question. By the time he was finally hanged, by the hand of Robert E. Lee, no less, there was no going back. Dealing with the man and his reputation, however, has always been something of a problem. Southerners at the time, horrified at the prospect of a massive slave uprising, immediately branded him as a terrorist, if not the Devil incarnate. The Transcendentalists and other anti-slavery groups in the North, in response, soon came to see him as a martyr for peace, nearly on the level of Jesus himself. As the Civil War finally receded into the past, most scholars eventually came to see Brown simply as some sort of crackpot, well-meaning perhaps, but always an unstable and colorful character who, much like his namesake John the Baptist, was a harbinger of colossal events to come. Now, with this book, author David Reynolds has portrayed what has come to be the modern view, seeing John Brown in the larger context of black emancipation and aligning him squarely alongside Martin Luther King, Jr. and the modern civil rights era: all of which might (or might not) have astounded the bearded firebrand. Brown was both intelligent and complex, as Professor Reynolds skillfully brings out, and had one of history's more original personalities. Most YAs will find the entire book a large dose to swallow, but will find individual chaptersand episodes to be fascinating. The highly detailed text opens a fascinating window on the social turmoil of American society on the eve of the Civil War. Even if that war wasn't fought specifically to free the slaves, it was nevertheless all about slavery, and old Brown certainly played his part.

Kirkus Reviews

Cradle-to-moldering-grave biography of America's homegrown abolitionist terrorist. Was it John Brown's audacity that put the spark to the tinderbox of slavery in mid-19th-century America? The prize-winning Reynolds (Walt Whitman, 2004, etc.; English and American Studies/CUNY) makes the case that the Civil War and emancipation might well have been slower in coming had Brown (1800-59) not inflamed paranoia in the South by his murderous raids in Pottawatomie, Kan., and his seizure of the federal armory at Harpers Ferry, Va. The author argues that Brown was more of a Puritan pioneer than crazed fanatic, a patriarchal figure who "won the battle not with bullets but with words." Although the violence of Brown's anti-slavery raids was at first roundly denounced in the North, his calm and rational behavior after his capture, Reynolds emphasizes, eventually won admiration for his crusade, much thanks to Emerson, Thoreau and other transcendentalists who took up his banner. Though unabashedly hagiographic-the chapter on his execution is titled "The Passion"-the biography justifies its portrayal of Brown as an agent outside and above the norms of society. The author demonstrates that his nonracist behavior, for example, was startlingly original to Southerners and Northerners alike, albeit not anomalous vis-a-vis contemporary European attitudes. Reynolds takes great pains to cast a fair light on an exceptionally controversial figure who used brutally violent tactics to bring about the end of slavery and the beginning of racial equality. He states unequivocally that Brown's tactics were terrorist (and an inspiration to John Wilkes Booth), but in President Lincoln's own words, the Civil War itself was"a John Brown raid on a gigantic scale." Reynolds's conclusions are bold yet justified, and his analysis reflects a thorough understanding of the cultural environment of the time. Engrossing and timely, offering astute, thorough coverage of America's premier iconoclast and the cultural stage upon which he played his role.



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